All areas of the restored nineteenth- century mansion and the new studio buildings are bathed in direct sunlight,
in contrast to common practice in most studios. The reasons for this are understandable: after aII, acoustics has its own laws,
so that sound and daylight have always been great enemies.
Together with sound specialist Jan Matthijs from the acoustic bureau Matthijs Accoustical Advice, the architects Hilde Daem, Paul Robberecht and Brigitte d’ Hoore made a special point of looking for solutions which produced
an outstanding result and fully satisfied our philosophy.
It has never been our aim to become the largest studio, just the very best.
In accordance with our philosophy, we therefore make choices for producers and musicians who wish to work in an innovative and contemporary manner. With all the necessary apparatus.
In addition to its perfect analogue sound processing required by every acoustic approach.
The EUPHONIX CS·2000 mixing desk also offers the advantage of direct total recall, so that everyone has permanent access to preciseIy the mixing desk they require.
Recordings can be made digitally on PROTOOLS with all existing plug-ins.
A brand-new STEINWAY GRAND PIANO D-274 specially tuned to the recording studio and without the slightest mechanical background noise
is permanently located in the studio.
For film soundtracks, it is possibIe to work synchronousIy on an ultra-wide Hantarex video screen.
The list of the best-known microphone brands is complete: NEUMANN. BRUEL&KJAER. SCHOEPS etc.
GENELEC 1031 S and Yamaha nearfields give you a clear representation of all this sonic beauty. All standard peripherals and more are present.
EUPHONIX CS 2000 - Full automation & Real Total Recall:
24 channels - 48 Faders
4 line & 2 mic inputs / channel
2 EQ sections / channel
2 EUPHONIX ES 108 8 x Comp - Noise Gate - Desser - Filtering